Altered Scales work over chords built on the 5th note in major keys because they contain the common chromatic passing tones used as alterations. Chords And Extensions . For this reason, the altered scale is sometimes called the super-Locrian scale or the Locrian flat four scale (Service 1993, 28). On the seventh note (on the leading tone): diminished chord (e.g. Use the form below to select one or more scales, hit "Go", and the harmonizer will tell you what chords will sound good when played with the selected scales. SYNTHETIC Scales: Scale Name: Spelling: Major Scale Reference: C Whole Tone C,D,E,F#,G#,Bb = 1,2,3,#11,#5,b7 C Diminished C,D,Eb,F,Gb,Ab,Bbb,B = 1,2,b3,4,b5,b6,bb7,7 F major in the key of C), but the Lydian mode can also work well over a I chord. you’ve probably played some and I’m certain you’ve heard of them.. but what exactly are we talking about here? The E-flat melodic minor scale has 4 flats. The scale is also identical to the seventh mode of the Melodic Minor (e.g. Altered scales Altered scales include one or more notes that is lowered or raised compared to its main variation. "Altered scale" is short for "Altered Dominant scale". CLICK HERE TO SIGN UP NOW! Since the natural minor key is itself on the Circle of 5ths - Eb minor on circle of 5ths, this means that this is a commonly used melodic minor scale key. The chord most closely associated with this scale is Bm7b5 . So, on G7, you would play Ab melodic minor starting on G, and voila, you’re playing G altered. Major Diatonic Chords; Major Parallel Modes; Major II – V – I ; Minor II – V – I; Circle Of Fifths; Melodic Minor Modes. So, the theory for the altered scale is 1, b9, 3rd, #9, #11, b13, and b7. Altered scales are based on the same principles as altered chords. Altered Scale in B is a minor scale with flat second, flat fourth and flat fifth intervals. Connecting to the basic G Altered Scale. Harmonic Minor; Phrygian Dominant; Dorian (alternate) Mixolydian (alternate) Chord Progressions. Learning The Altered Dom7th Pentatonic Scale. The Altered Dominant Scale, Part 1 In this lesson, Chad takes a little digression from the path he’s been taking, with a lesson on the altered dominant scale, which is used in modern and mainstream jazz. There are seven ways to alter a basic major pentatonic scale. It has an anomaly - it has both a major and a minor third. Show me chords that sound good with an Eb Altered scale. To be clear, scales are good for note choices to help make melodies, but we aren’t just playing scales when we improvise! The altered scale features 3 of the 4 chord tones of a dominant 7th chord (1, 3, and b7) plus all the extensions of the chord altered. Altered. It is also enharmonically the seventh mode of the ascending melodic minor scale. G Altered is identical to the 7th mode of Ab Melodic). C. Equation. Space and melodic phrasing is demonstrated in the first four bars. These are: The altered forms of some of the non-essential tones coincide (augmented eleventh with diminished fifth and augmented fifth with minor thirteenth) meaning those scale degrees are enharmonically identical and have multiple potential spellings. I play most of the melody with single notes, except for a few passages where chordsare added. 108.185.42.185 05:15, 27 May 2013 (UTC) It’s called the ‘altered’ scale because every extended harmony note that can be altered (9, 11, 13) has been altered (b9, #9, #11, b13): See diagrams at Standard Guitar. The altered scale is the 7th mode of the melodic minor scale, also called the Superlocrian scale. Eb Altered bb7 Uke scale (H,W,H,W,W,H,WH) on the soprano. The lines. So, G Altered comes from Ab Melodic Minor…that means G Altered is Ab Melodic Minor starting on G! pattern for playing the selected scale in a different position on the fretboard. SYNTHETIC Scales: Scale Name: Spelling: Major Scale Reference: C Whole Tone C,D,E,F#,G#,Bb = 1,2,3,#11,#5,b7 C Diminished C,D,Eb,F,Gb,Ab,Bbb,B = 1,2,b3,4,b5,b6,bb7,7 The Superlocrian Scale. The natural forms of the non-essential tones are not present in the scale. Scale diagrams can also be labeled with either letters or scale degrees. But, as with most things, it’s easy when you understand it. Super Locrian is sometimes just called Altered Scale (but it is not a great name since there are more altered scales), while five of seven notes have been altered in comparison to the normal notes in the major keys. It gives a jazzy dissonant sound to dominant chords. And the altered scale is a really important scale to practice if you want to create a jazz sound when playing on these 7th chords. G7 sharp 5, of C7 flat 9, etc. Lydian Major . I call this a shortcut for a reason. Eb Altered bb7 Uke scale (H,W,H,W,W,H,WH) on the soprano. to see the result. Title: All 12 Altered Scales Author: Dudu-Yzhaki Subject: Piano-Scales Keywords: jazz scale, jazz scales, piano scales … The Altered Scale is actually a mode of melodic minor. chords that sound good with an Eb Altered scale, http://www.outsideshore.com/music/educational-materials/primer/melodic-minor-harmony/#AlteredScale, http://en.wikipedia.org/wiki/Altered_scale, http://en.wikipedia.org/wiki/Musical_mode#Other_types_of_modes. To play a harmonic minor scale, you simply raise the seventh note of the natural minor scale by a half-step as you go up and down the scale. Standard Tuning (gCEA). It’s the 7th mode of melodic minor, just as Locrian is the 7th mode of the major scale. It simply “locks up” a bit better. Formula: 1-2-3-#4-5-6-7-8 (Fmaj7 or Cmaj7#11) The Lydian Mode works well over any maj7#4, maj7b5, or maj7#11 chord. They remain five note scales albeit altered in some way. The altered scale is made by the sequence: The abbreviation "alt" (for "altered") used in chord symbols enhances readability by reducing the number of characters otherwise needed to define the chord and avoids the confusion of multiple equivalent complex names. So, the theory for the altered scale is 1, b9, 3rd, #9, #11, b13, and b7. How to Play the Eb (E-Flat) Altered Dominant Scale on Guitar. A Search Engine for Musical Scales. Before print or download please save it first. b5. Altered pentatonic: B Eb F G Bb B. Altered scales include one or more notes that is lowered or raised compared to its main variation. b7. The altered scale features 3 of the 4 chord tones of a dominant 7th chord (1, 3, and b7) plus all the extensions of the chord altered. So, whenever you see a dominant V7 chord to I written within a chord progression you can play an altered scale over the dominant chord. G7 sharp 5, of C7 flat 9, etc.. Use the altered scale with the same root note as the dominant chord, e.g C altered scale over a C7 sharp 5 chord, or an F altered scale over an F7 sharp 9. The most obvious example is as IV chord (e.g. Part of the series: How to Play Scales on the Guitar 5. Then he shows you the D altered dominant scale, which in addition to the root, third, and flatted seventh uses the flat nine, sharp nine, flatted fifth, and augmented fifth. All pitches are lowered except C in the C altered dominant scale of C Db Eb Fb Gb Ab Bb. E-flat melodic minor scale. First, let’s take a crash course in Altered Chords. Show me chords that sound good with an Eb Altered scale. Chords that sound good with Eb Altered scale(s) JGuitar's harmonizer allows you to easily identify chords and scales that will sound good when played together. 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